SP_PM4D_146
© Copwatch GR

ATHENS - Film The Police offers communities the tools they need to stand as witnesses to police violence and abuse. It shows people how to safely record public police action with their mobile phones, and it curates the results, creating a collective video archive of the experience of policing in Greece.

Project Activities

a. Film The Police Guidebook

Copwatch GR created the educational Film The Police guidebook in both Greek and English. In its ~80 pages, the legal framework that allows people to record police activity is analysed comprehensively. Moreover, the guide includes practical advice and tactics for recording police activity safely and effectively, gathered from the field. Preparation tips before recording, encryption, recording in teams, leaving the field, recording during internet shutdowns, metadata, and secure file deletion are some examples. Several feedback loops with individuals and communities most affected by the harms of policing were conducted by Copwatch GR during the creation of the guidebook, to ensure their experiences and perspectives are mirrored in the guidebook's contents. The guidebook is a tool that will remain publicly useful and will continue to evolve in future.

b. Film The Police Workshops

Based on the Film The Police guidebook, Copwatch GR conceived participatory workshops in both Greek and English. During the workshops, the guidebook's contents were presented, specific questions were answered, and the archiving and publication process was demonstrated. The workshops helped establish meaningful and lasting relationships with communities, as they were tailored to their specific needs. Through this process, the workshops evolved into much more than educational sessions; they became spaces of collective exchange, trust-building, and community formation around citizen journalism, accountability, and practices of collective self-protection.

The workshops fostered the creation of a participatory and inclusive network of community members who submit primary source material through the platform. As a result, communities were empowered to use police recording as a means of self-defence, collective memory, and archiving. Finally, the workshops created a feedback loop for the enrichment of the educational material.

c. Film The Police Platform

Copwatch GR launched the filmthepolice.copwatch.gr platform, allowing for the submission of primary source material through a web form. On the platform, everyone can, possibly anonymously, upload videos or images, or submit links to material they have authored themselves or found from third parties. This material is verified, annotated, and archived in encrypted storage and, if deemed necessary to publicise, it is anonymised and made public along with all the relevant information. All videos, photographs, and written testimonies are presented in a searchable format. This constitutes the first collection of its kind, showing the public how policing in Greece is experienced by the communities affected by it.

The launch of the Film The Police platform has sparked a wave of submissions of testimonies created by people subjected to or witnessing police misconduct. Material from protesters, photojournalists, activists, and members of communities subject to heavy policing, such as immigrants, has been received. Moreover, unpublished community archives are being integrated into the platform.

The platform is evolving toward becoming a public archive of policing made by the people and is gradually becoming an important long-term resource for journalists, researchers, lawyers, activists, and communities affected by policing practices.

What is the impact?

Copwatch GR's Film The Police project remains one of the few examples of cultivating a citizen journalism culture within the Greek media landscape. First, they succeeded in creating high-quality educational materials and a clear methodology for aspiring citizen journalists. Secondly, through their workshops, they encouraged the development of a community formed around documenting and reporting on police misconduct. Lastly, their Film The Police platform offered the public a unique opportunity to contribute their own material.

Following their verification process, incidents are put on a map, allowing them to move beyond the 24/7 news cycle and the fragmented awareness created by isolated incidents of police misconduct. Through archiving, they are moving towards an approach that highlights broader patterns and strengthens collective memory. Their platform is an archive that will continue to be enriched with both new and older incidents from their database, emerging as an important tool for further research by academics and journalists alike.

During the workshops, the people of Copwatch GR often stress that recording video is secondary to simply standing in front of injustice and visibly being a witness. Especially when done as a group, they claim it creates a massive shift in the dynamics of the field and defuses tense confrontations with police forces. In fact, the summer protests of the anti-war community of Syros island produced what is probably the most vivid example of this effect in action.

Initial contact with the people there was through a Film The Police workshop, during which Copwatch GR heard their fear of state repression at their planned anti-war demonstrations. In response, Giorgos, Spyros and Chris shared with them some group filming methods, with the aim of increasing their confidence in their right to film, building up their coherence as a group, and helping them tell a more complete story of their experience of policing.

When the time came and police tried to turn the situation violent, citizens of Syros successfully operated as a coherent filming group, visibly raising their mobile phones and recording from multiple angles. Their demonstrations remained peaceful, and the footage they shared with Copwatch GR shows both the efforts of the police to escalate and the effectiveness of the group action. No one was hurt, the demonstration was successful, and Film The Police received and published citizen-generated video of an event that received no coverage from any media outlet.

Project Pictures

Supported
€29,220 allocated on 03/09/2025
ID:
PM4D/2025/146

Publication

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SOCIAL MEDIA

COUNTRY

  • Greece

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